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CURATION: SAMURAI

This 2026 blockbuster exhibition at the British Museum explored the history, development, and impact of the samurai from their origins at the beginning of the last millennium to the present day. As the Project Curator, I worked across all the museum departments, and with external stakeholders, to deliver this innovative exhibition. The project brought together over 300 objects and digital assets to tell a story spanning 1000 years of history.

 

To deliver such a complex narrative, the exhibition space was split into three sections. The first part told the story of the samurai's origins, when they erupted onto the battlefield as mercenaries fighting on behalf of courtiers. Through displays of armours and weapons, alongside paintings and ceramics, we explored the evolution of these warriors as they began to become a consolidated warrior class by the end of the 16th century. The second section of the show examined the Tokugawa period (1603-1868), known as "The Great Peace". During this period there was no conflict, instead the samurai were government officials. Through an examination of textiles, woodblock prints, paintings, and books we unpack the lived experiences of the samurai and how their contemporaneous wider public perceived them. There was a close look at the popular representations of famous historic warriors as the antecedents to the samurai. The final section explores the fragmentation of the samurai image after the warrior class was abolished between 1868-76 during the turbulent restoration of the Emperor. Initially the image of the samurai gained traction through nostalgia before becoming a propaganda tool in the early 1900s. We explore the use of the samurai image by both Japan's allies and enemies during the Second World War. Following the war, there was a brief period where military imagery, and therefore representations of samurai, was banned under American occupation. Then, during the post-war, samurai imagery returns in popular media: manga, anime, film, TV, fashion, and videogames. The exhibition closes with a section dedicated to the most contemporary interpretations of samurai, notably including newly commissioned artwork by Noguchi Tetsuya, a dress made especially for the exhibition by the French couture house Lanvin, and the latest samurai videogame Nioh 3 (released 6th February 2026). 

Loans for this exhibition came from museums and private collections internationally, including from Japan, Italy, France, and the United States of America. 

Alongside this exhibition, I worked closely with our marketing and public programming team to deliver impactful opportunities to engage visitors both in-person and online. This included hosting events with Ubisoft to celebrate the first anniversary of their samurai game Assassin's Creed Shadows; delivering a range of public talks; inviting participants to be involved with our 'Friday Late' programme, and make several videos for the British Museum YouTube channel (that have accrued over 200,000 views collectively).

I also authored several articles about Samurai and objects that were displayed based on my own research. There that were published in various academic journals these include:

 

Press Coverage and Reviews

 

Coverage has been widespread and international, including major features in The Sunday Times, The Telegraph, Art Quarterly, Asahi Shimbun, Sankei Shimbun, and New Statesman, and in Radio 4’s Woman’s Hour and Start The Week, Radio 3’s Free Thinking, and on live SkyTV. The exhibition received a number of 5-star reviews. 

 

'a scintillating show which brilliantly captures the theatrical side of a chivalrous epoch’

★★★★★

The Guardian

 

'a ravishing, riveting exhibition and if you come away anything less than awestruck, I shall nobly fall on my sword'

★★★★★

The Times

 

'the exhibition challenges everything you thought you knew about the Japanese warriors'

★★★★

The Telegraph

 

‘the strength of this splendid new exhibition is the delight it takes in myth-busting...magnificent' '

Financial Times

 

'the exhibition delivers on its blockbuster promise’

★★★★

London Standard

 

‘Utterly captivating'

Tatler

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