“
Art history allows me to explore the complexity and vibrancy of humanity
”
Joe Nickols (they/them) has recently completed their MA at SOAS, University of London and specialises in East Asia, with a particular focus on Japan and Korea. Joe’s research primarily explores discourse relating to identity construction, queerness, and gender. Their MA dissertation explored the 1920s Japanese anarchic group Mavo and their transgender performance art as an act of political protest. Joe is currently a regular contributor to the SOAS History Blog and more of their articles can be found there, including discussions of gender regulations in Meiji (1868-1912) and Taisho (1912-1926) Japan. Outside of SOAS, Joe has worked internationally in arts education, lecturing in Japan and Italy on various topics. Additionally, Joe is a freelance curator and works closely with contemporary artists on various projects.
Joe was named as the Sasakawa Scholar for 2023/24 by the Sasakawa Insitute. This was awarded for established research into Mavo and will fund Joe's further research into the movement at SOAS, University of London.
In May 2023, Joe launched NCLUSIV WORLD, a platform dedicated to celebrating queer and trans arts and culture. Joe developed graphics for empowering apparel as well as producing the NCLUSIV WORLD podcast. Joe has interviewed a number of celebrated queer creatives and pioneers.
Email: joe@joenickols.com
Instagram: @joenickols
Qualifications
PhD
Research into representations of gender disruption as political protest in Taisho Japan, SOAS University of London. Sasakawa Scholarhsip awarded for this research in 2023.
Masters
MA History of Art/Archaeology (East Asia), SOAS University of London, 2020-21.
Bachelors
BA Japanese Language and History of Art/Archaeology (East Asia), SOAS University of London, 2013-17.
Art Foundation
Central Saint Martins, University of Arts London, 2012-13.
CONFERENCE PAPERS AND INVITED TALKS
"Creative Collaborations in Kyoto, Osaka and Beyond, 1770-1900", British Museum Symposium (September 2024) - Discussant for panel “Connections and Networks via Art” (bilingual Japanese and English)
European Association of Japanese Studies 20th PhD Workshop (June 2024) - Lecture at conference on "Mavo: Art and Anarchy in 1920s Japan
Hong Kong Baptist University (December 2023) - Guest Lecture on "Curatorial Practices"
Stanford University (April 2023) - Guest Art History lecture on "How To Look At Art"
Exhibitions
Mercer Art Gallery, Harrogate
July 13 - October 13 2022
OVERLAY
Owl Store, Harrogate
March 11 - April 9 2022
Routs North: Emerging Northern Talent
Messums North, Harrogate
January 15 - February 19 2022
David Roberts and Modern British Design
Messums North, Harrogate
November 19 2021 - January 8 2022
Contemporary Korean Ceramics: Ree Soo Jong and
Lee Hun-Chung
Messums North, Harrogate
Summer 2021
Awards
Heinz Kaempfer Fund Thesis Award (May 2024) - Runner Up
Sasakawa Scholarship (2023/24) - Awarded for research into Mavo conducted at SOAS, University of London.
Writing
What's in a Banknote? Controlling Legacy and Shaping the Ideal Confucian Woman
SOAS History Blog, July 2023
Research, Translations, and writing for bilingual auction catalogue (Japanese and English), New Auction, Tokyo, Japan. Issue 004, 005, and 006 (2023-24).
Mavo-Ricks: Transgender Transgressions in 1920s Japan
MA Dissertation for SOAS University of London, 2021.
The Disrupt Project: Nikki S. Lee and Transcategorical Identities
Post-graduate Research Journal (SOAS), Issue 14, 2022.
Regulating Bodies: Gender Construction in Japan
SOAS History Blog, June 2022
Queer Baroque: Nikko Mausoleum
SOAS History Blog, February 2022
Laguages
English - Native
Japanese - Fluent (CEFR Level C2)
Korean - Elementary
Italian - Elementary